The Hindu: Pune: Saturday, September 16, 2017.
The reels of
classic films allegedly lost by the National Film Archive of India (NFAI) are
in fact safe in its state-of-the art vaults, officials from the archive said on
Friday.
A series of
articles, which appeared in a prominent English daily based on RTI queries, had
alleged that several reels, which included films by cinematic legends, were
missing.
The
organisation on Friday posted photos of the film reels being preserved in its
vaults on its Twitter and Facebook pages, with Santosh Ajmera, officer on
special duty, NFAI, tweeting about the news reports: “it’s factually incorrect.
Correct version is already in the public domain. There r multiple copies
available in NFAI.”
NFAI director
Prakash Magdum told The Hindu, “We have all the classics of Satyajit Ray, Akira
Kurosawa and rare footage like Gandhi’s visit to Paris in our collection. In
fact, some of the classics reported to be missing, like Mrinal Sen’s Bhuvan
Shome and Guru Dutt’s Kaagaz Ke Phool, have been digitised and restored by us.”
Record-keeping
was never given priority over the years at NFAI, and therefore there are
discrepancies, he said.
One of the
reports said that 14,900 reels of more than 1,000 “rare and precious cinema”
titles lay rotting in gunny bags inside the NFAI’s Kothrud premises. However,
NFAI records accessed by the Hindu revealed that most of these reels comprise
not classics, but titles like Aunty No. 1, LoC Kargil, Julie, Veeru Dada and
Rog.
An official,
requesting anonymity, said the archive obtained these reels, often in decayed
condition, from the Railways.
Ujjwal
Nirgudkar, technical expert, on the National Film Heritage Mission, said, “Very
often, distributors want to dispose of reels of a film once its commercial run
is over. So they typically send these reels under fake receipt addresses by
rail. As there is no one to claim them, the reels make their way to the Railway
godowns.”
In fact, the
NFAI team identified the 14,900 reels in a bid to free space in the archives.
Meanwhile,
filmmakers like Jahnu Baruah, Adoor Gopalkrishnan and Jabbar Patel lauded the
NFAI’s conservation efforts, saying that the news reports reflected past
problems and that remedial steps were already being taken by the current team.
“It is very
sad that the reality has been grossly misrepresented. It is demeaning to the
efforts of the NFAI team, who are working round-the-clock to strive for the
preservation of India’s cinematic heritage. This is especially unfortunate at a
time when the culture of archiving has only recently picked up in the country
and the NFAI is performing yeoman service in conserving films,” Mr. Baruah
said.
